 |
Areas of Unrest
6 June 1999 - Sevens
There are seven days in the week and lots of sevens I could try to link
them to. I started out the week thinking about seven deadly sins through
the week. For example, Monday I was slothful and, instead of doing much
about all the housework I have been procrastinating on, went to a movie.
(I saw Notting Hill which was funny enough but I'd really prefer
a romantic comedy where the characters having the romance are the
interesting ones, rather than the supporting cast.)
I didn't really get on to other deadly sins all that much, though - a
touch of pride on Tuesday for going out and walking despite dreadful
weather, perhaps, but absolutely no avarice or lust at all. I still think
it would make a neat idea for a journal entry but I guess I am just
too good a person.
And then I thought of the seven dwarfs. I was pretty Happy on Monday
and Sleepy on Tuesday. But then I came down with a cold so I got stuck
between Sneezy and Grumpy. And I would never admit to ever being Dopey.
So that wouldn't work either.
(Just so it won't drive you nuts trying to remember, the other two are
Doc and Bashful.)
Wonders of the Ancient World? Oh, sure, I could
probably come up with a story for any of those - for example, the
Colossus of Rhodes brings up all the childhood hours at Rhodes Delicatessen,
which was really more of a general store than anything else. We'd get
sent over to Rhodes to pick up an item or two (loaf of bread, a couple of
oranges, whatever) and were often allowed to spend the change. The usual
purchase was one bottle of yoohoo and as many comic books as I could
afford. Maximizing the number of comics was a good incentive to master
mental arithmetic and I'd always come up to the counter knowing the
exact total, which impressed the clerks.
But I'd have to stretch to come up with a pyramid story.
So rather than rattle on about various sevens, I will take advantage of the
Tony Awards being tonight (and isn't Martin Short adorable?)
to ramble about the seven best Broadway musicals
of all time. Since revivals are so prevalent these days, maybe I can
influence someone?
- Guys and Dolls. A brilliant score by Frank Loesser, an
intelligent and humorous book, and the opportunity for top notch
choreography, this musical has it all. The revival a few years back did
make me realize how much of a difference orchestration makes, as that is
an area in which I think they blew it.
- West Side Story. Sondheim lyrics and Bernstein music - how
can you go wrong? Add in a story that has strong folkloric roots (from
Pyramus and Thisbe through Romeo and Juliet). And Jerome Robbins, who
was definitely one of the most important choreographers of this century,
was an intimate part of the creation.
- The Fantasticks. Okay, I know it's off-Broadway, but there is
good reason this has been playing forever. This is the anti-Webber
musical, proof that you can be entertaining without big production
numbers and flash paper.
- She Loves Me. Choosing one Bock and Harnick musical is tough and
Fiddler on the Roof would probably be a more natural choice. But
I like this score a lot better. And, again, this is a musical where all
of the elements (book and libretto, music, choreography) come together
to complement one another.
- Showboat. Predating the modern view of the musical as light
opera, there are plenty of contrived songs here, which detract from the
overall unity of the show. But the score is magnificent and its
revolutionary role in the history of the form earns it a place on this
list.
- Sweeney Todd. This is the other extreme and a fine illustration
of the thin line between musical and opera. Sondheim is always at his
wittiest when he's at his most warped (listen to the cast recording of
Assassins if you doubt that) but it all works here.
- South Pacific. No list of great musicals could exclude
Rodgers and Hammerstein. I'd argue for this one because of the lovely
score and serious themes.
If you asked me any other day, the list might well be slightly different.
(The top two are unlikely to ever change, though.) From the excerpts
they showed on the awards show, I'd definitely enjoy seeing Fossse
(who was second only to Robbins on brilliant Broadway choreography, though
one could possibly make an argument for Michael Kidd). Parade
looked like it had its possibilities, but, since it has closed already,
it may be a while before I find out.
But the best news was the Carol Burnett is going to be doing Sondheim's
Putting It Together on Broadway in November! Another excuse
for a trip to New York!
[
Last week |
Journal Home |
Index to Age 40 Archives |
Journal FAQ |
Links to Other Journals |
Next week ]
Copyright 1999 Miriam H. Nadel
Send comments to:
mhnadel@alum.mit.edu
|